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Bernice, fearing he was molesting Marnie, attacked him. A fight ensued in which Bernice's leg was injured, the source of her long-term limp.
Frightened, Marnie struck the sailor with a fireplace poker and killed him. The red blood from his wound caused her phobia of that color. Bernice calmly admits everything, and she tells how she got Marnie and how much she has always loved her. Now understanding the source of her fears, Marnie asks Mark what to do; he lets her know that he is on her side and will defend her. She responds, "I don't want to go to jail; I'd rather stay with you. Alfred Hitchcock began developing the film adaptation of Winston Graham 's novel Marnie in He commissioned Joseph Stefano , the screenwriter of Hitchcock's recently released Psycho , to work on the script.
Stefano made extensive notes and wrote a page treatment. Also, when Kelly married Prince Rainier in , she had not fulfilled her contract with MGM , which could have prevented her from working for another studio. As a consequence of Kelly's departure from the film, Hitchcock put it aside to work on The Birds Evan Hunter , who had written the screenplay for The Birds , developed Marnie with Hitchcock, and wrote several drafts.
Hunter was unhappy with the rape scene in the original novel as he felt the audience would lose sympathy for the male lead. The director, however, was enthusiastic about the scene, describing to Hunter how he intended to film it. Hitch held up his hands the way directors do when they're framing a shot.
Palms out, fingers together, thumbs extended and touching to form a perfect square. Moving his hands toward my face, like a camera coming in for a close shot, he said, "Evan, when he sticks it in her, I want that camera right on her face ". Hunter wrote a draft containing the rape scene but also wrote an additional, substitute sequence, which he pleaded with Hitchcock to use instead. Hunter was dismissed from the project on 1 May You just wrote your ticket back to New York.
According to royal biographer Craig Brown, Hitchcock offered Princess Grace the title role in March , and she accepted; but in Monaco, the reaction to the announcement was extremely negative. The role of Marnie became a sought-after role in Hollywood.
Instead, Hitchcock opted to use Tippi Hedren, a one-time model he had seen in a commercial for a diet drink in , then cast successfully in The Birds. According to Hedren, he offered her the role of Marnie during filming of The Birds.
Hedren told writer Moral that she was "amazed" that Hitchcock would offer her this "incredible role", calling it a "once-in-a-lifetime opportunity". In , more than 40 years after the film's release, Hedren declared in an interview that Marnie was her favorite of the two films she made with Hitchcock, because of the intriguing, complex, challenging character that she played.
Male lead Sean Connery had been worried that being under contract to Eon Productions for both James Bond and non-Bond films would limit his career and turned down every non-Bond film Eon offered him. When asked what he wanted to do, Connery replied that he wanted to work with Alfred Hitchcock, which Eon arranged through their contacts. Connery also said that he was happy with the film, "with certain reservations.
Marnie became a milestone for several reasons. It was the last time a "Hitchcock blonde" would have a central role in one of his films. It was also the final occasion when he would work with several of his key team members: Marnie continues to have its admirers.
Actress Catherine Deneuve indicated that she would have loved to have played Marnie. Although they played mother and daughter, Latham 42 was only eight years older than Hedren In the script the mother character was only 15 years older than the daughter character. Green explains that shooting had been scheduled to begin on November 25, , but had to be postponed because the nation was in mourning for John F. Kennedy , who had been assassinated three days before. Hitchcock had noticed a strong similarity between Herrmann's score for Joy in the Morning and Marnie and believed Herrmann was repeating himself.
Lyrics were written to Herrmann's theme that were to be sung by Nat King Cole. Contemporary reviews were mixed. Eugene Archer of The New York Times wrote a lukewarm assessment, calling it "at once a fascinating study of a sexual relationship and the master's most disappointing film in years.
Scheuer of the Los Angeles Times wrote, "As a story it seems naggingly improbable and, as drama, a nightmare from which the spectator constantly pulls away, struggling to wake up in a less disordered universe. No question, though, that it is at least fitfully effective. There is something bracing about Hitchcock at work, even when he is at his worst. Very early on when he started making films, he saw Fritz Lang 's German silent films; he was enormously influenced by that, and Marnie is basically an expressionist film in many ways.
Things like scarlet suffusions over the screen, back-projection and backdrops, artificial-looking thunderstorms—these are expressionist devices and one has to accept them. If one doesn't accept them then one doesn't understand and can't possibly like Hitchcock.
Titles in bold are totally or partially lost. From Wikipedia, the free encyclopedia. Marnie Original film poster. Turpin Kimberly Beck as Jessica "Jessie" Cotton, whom Bernice babysits uncredited Melody Thomas Scott as Young Marnie uncredited Alfred Hitchcock's cameo can be seen five minutes into the film, entering from the left of a hotel corridor after Marnie passes by.
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